Taylor Swift releases new album ‘Midnights’


Taylor Swift returned to pop on Friday with the debut of her tenth studio album, a report known as “Midnights” impressed by her late-night ideas, and he or she additionally launched a video of her “nightmare eventualities” within the style of a horror flick.

The 32-year-old singer-songwriter described the 13-track “Midnights” as “a collage of depth, highs and lows and ebbs and flows.”

“Life may be darkish, starry, cloudy, terrifying, electrifying, sizzling, chilly, romantic or lonely. Just like Midnights,” Swift wrote on Instagram.

The pop report adopted folks albums “Folklore” and “Evermore,” which Swift recorded whereas quarantining in the course of the COVID-19 pandemic. “Folklore” was named album of the yr on the Grammys in 2021.

The first single from “Midnights,” known as “Anti-Hero,” was launched with a video starring Swift as a girl alone at night time in a Nineteen Seventies residence invaded by ghosts. She later seems in a coffin at her personal funeral.

“Watch my nightmare eventualities and intrusive ideas play out in actual time,” Swift stated in regards to the video.

Another music, “Snow On The Beach,” featured backing vocals by Lana Del Rey, a singer Swift stated she had lengthy admired. “Lavender Haze,” was impressed by a time period Swift stated she first heard on tv sequence “Mad Men” about being in love.

The “Shake It Off” and “Bad Blood” singer, who has received 11 Grammys throughout her profession, additionally revealed on Instagram in a single day that she was releasing seven extra songs that didn’t make it onto the new report.

Initial evaluations from critics have been optimistic.

“Her tenth album returns to the dazzling synth-pop of information like ‘1989’ and ‘Reputation,’ with lyrics caught between a love story and a revenge plot,” Rolling Stone journal stated.

In the Los Angeles Times, pop music critic Mikael Wood stated the “Midnights” album “heralds the return of a pop music mastermind.”

(Reporting by Sarah Mills; Additional reporting by Marie-Louise Gumuchian; Editing by Raissa Kasolowsky)


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